3/14/2024 0 Comments Song facts ticket ro rideIn 1969 Dylan was living near Woodstock, upstate New York City and was believed to be performing at that year’s Woodstock festival. Pepper’s Lonely Heart’s Club Band album but written many years beforehand, when McCartney was just 16 years old. The island could well have already influenced the young Beatles, as they reference it in their song ‘When I’m Sixty-Four’, taken from their 1967 album Sgt. Whether that holiday in 1960 was the inspiration for ‘Ticket to Ride’ remains a source of conjecture amongst Beatles historians. In his autobiography Mike McGear – Paul McCartney’s brother – describes how Paul and John supposedly hitchhiked from Liverpool to the Isle of Wight to holiday with Mike who worked in a pub near Ryde. Paul McCartney was unable to attend due to the birth of his and Linda’s first daughter, Mary, on 28th August, but he had been to the Isle of Wight before. One year later, The Beatles watched Bob perform at London’s Royal Albert Hall during their filming sessions for Help!, and in May 1966 Bob released ‘4th Time Around’, a song speculated to be a response to The Beatles’ ‘Norwegian Wood’ as either a playful homage or satirical warning to Lennon about co-opting Dylan’s style. The Beatles were already huge fans of Bob Dylan, having first met the American singer on 28th August 1964 in New York City, a night which is said to have altered the course of rock ‘n’ roll music forever. It was one of the largest counterculture events of the 1960s and came only weeks before the Beatles broke up, but the Fab Four’s association with the small island in the south of England involves much more than the 1969 festival, in fact, it goes back to before they were famous. That single hit puts a huge stamp of approval-underline.50 years ago, in the summer of ‘69, The Beatles visited the legendary Isle of Wight festival, not to perform, but to watch one of their favourite musical acts, Bob Dylan, make a return to live shows. And the last single stroke after the last "ri-hi-hide"-gold. This whole section is a brilliant sequence of chords, and this particular chord, at this particular place in the song-with the stoppage of all other instruments-is a top Beatles moment.ĥ: Ringo's different drum figures to introduce the A sections are great. More Beatle magic.Ĥ: The chord under the 3rd 2nd "ride"- the "ri-hi-hide"-has no connection the the melody notes. Here they aren't, and when the next chord comes, two whole bars later, it's not the chord that 7th/9th usually precede. Normally these notes are used to pivot to the next chord. It was a Major Statement, second only to "She Loves You" at the time.īesides the obvious two points-the opening riff and the the fabulous drum pattern-there are many important things happening:ġ: The melody is a very new and unique style.Ģ: The 1st I chord lingers for a long time, creating a suspense or anticipation-what will the next chord be? where the hell is it?ģ: The odd use and timing of 7ths and 9ths on "girl that's" (driving me mad). There was nothing even close, even in the Beatles repertoire. This song was shocking when it was new-another Beatle song without precedent. The other ratings show the age skew here. Then near the end when you think they’ve surely reached peak quality, the outro kicks it up another notch. This song starts brilliantly and only gets better as it goes on. Bringing the gorgeous vocal harmonies in for a few words at the end of a line is ten, twenty, a hundred times more effective than loading them in only at the start of a line, as they tried in “What You’re Doing”. The drumming is compelling, the guitar riff is mesmerising, the exciting solo one of George’s best yet. A number one hit around the world and deservedly so!Įvery aspect is flawless and engaging: the lyrics, the composition, the arrangement, the instrumental and vocal performances. This is a truly superlative pop song, masterful, assured, catchy, interesting, creative, fun and everything you could possibly want. It’s only my wanting to leave myself a little head-room in the ratings in reserve for future masterpieces that I’m not scoring this higher.
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